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SHEP–ARTSY Walt Whitman
WALT WHITMAN—“Good Gray Poet”
May 31, 1819-March 26, 1892
May 31, 2019 is the two-hundredth anniversary of his birth
Walt Whitman published the first edition of Leaves of Grass in late June of 1855. He had just turned 36. The poems express his youthful vigor and enthusiasm for life, for all people, and for the United States of America. Despite adding hundreds of poems to the book in subsequent years, this first, slim edition (with, in my opinion, only the later “Crossing Brooklyn Ferry,” and “When Lilacs Last in the Dooryard Bloom’d,” his elegy for Lincoln, rising to that initial standard). The frontispiece of that first edition is an engraving based on the recent photo of him. The un-traditional-for-a-poet, jaunty, open-shirted pose suggests what he writes in the opening poem:
Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is erect, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.
Frontispiece of Whitman, 1855.
Whitman anonymously sent a first edition copy to Ralph Waldo Emerson, who found Whitman’s address and responded with what’s probably the greatest letter of praise in American literature. It starts:
I am not blind to the worth of the wonderful gift of “Leaves of Grass.” I find it the most extraordinary piece of wit and wisdom that America has yet contributed.
Whitman, who surreptitiously wrote some printed reviews of the book himself, and published Emerson’s letter without permission, was a constant self-promoter. In later years, after working on his reputation with O’Connor, a government worker and friend, O’Connor wrote an extended essay in praise of Whitman titled “The Good Gray Poet.” The epithet stuck–Whitman seemed to revel in the image of himself as the good gray poet. Despite the unusual poetic form and bold expression of his feelings, who could be upset by such a polite, conservative, old gentleman?
Unfortunately, “Good Gray Poet” is how Whitman is most thought of and promoted today in photos chosen, a U. S. postage stamp, and statues sculpted: even at the Walt Whitman Birthplace site and museum in Huntington, NY; Walt Whitman Mall in Huntington, NY; Bear Mountain Park, NY; Philadelphia; Rutgers Camden site; and even at Moscow State University, in the statue which Hillary Clinton helped inaugurate in 2009. Inevitably at these sites and many, many others, the old, harmless, bearded man is the image—as though he wrote and, indeed, only existed at the age of 60 or 70. (Many of the bronze statues, based on a well-known photo, show Whitman with a butterfly on one finger—how sweet!)
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Where is the much more appropriate statue and memorial to Walt Whitman which better depicts him, as he wrote–“One of the roughs”? This is the young man who created the rough, revolution that is the first edition of Leaves of Grass. Are we still too afraid of that unruly, forthright image of our national poet?
SCULPT US A STATUE OF THIS AUTHENTIC GUY!
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Birthplace Mall Bear Mount Philly Rutgers Moscow
JEAN SHEPHERD Drawings Part 3 of 5 & (16) ARTSY-NEW YORK TIMES DELIVERY!
Another of Shepherd’s drawings shows a restaurant façade, with a window through which we see a self-contained composition of flower vase on a table and a waiter’s hand delivering a drink, showing a personal interaction going on just out of our view. At the corner of the building over the front door, is the establishment’s name, reminding the viewer of Shepherd’s improvised radio work: “Hutton’s AD LIB.”
Here in a drawing we see one of the few instances
of a personal connection to Shepherd’s life.
Hutton’s Ad Lib.
I did some research and determined that it was probably
located in New York, about Lex. Ave. and 47th St.
[Collection E. Bergmann]
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The drawings by Shepherd so far seen in public have precise and objectively observed details—a strict depiction of what he saw—which is to say, an observation, but seemingly without an intellectual viewpoint and without feeling. Apparently done with no preliminary pencil lines (Unless he subsequently erased them?), in a straightforward, simple style, only a couple are what one might describe as “sketchy,” but that occasional sketchiness tells us nothing new either. On the other hand, his spoken and written words, based on the same acute ability for fine-tuned observation, produced humorous forays into humankind’s foibles. None of the ink drawings I’ve seen seem to have any of the sense of humor or warmth (except for the Ad Lib one) for which his words are considered an equal to those other Midwesterners, Mark Twain and James Thurber. With pen and ink in hand he saw clearly and depicted accurately, but I see no attempt to incorporate commentary except in the window scene in Hutton’s Ad Lib.
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NEW YORK TIMES DELIVERY!
Saturday mornings are a glorious time at our house, full of wild anticipation. The daily Times arrives on the lawn, encapsulated in its blue, plastic, Times bag including some sections of tomorrow’s Sunday Times. I don’t believe that any other newspaper in the world is so likely to contain such possible subject matter that thrills me so! The Wall Street Journal might approach my high standards. Tabloids are below contempt—even if they do mention some worthwhile artsy subject that entrances me, I know, from long-past experience, that the quality and thoroughness of their coverage will be vastly inadequate.
The Saturday, April 30, 2016 delivery contained major, illustrated articles, on not one, but three of my favorite creators. Kahn, Sunday Art Section; Bosch, Sunday Travel Section; Whitman, Saturday Main Section, page 1. (Understand that I have significant books and stashes of clippings and personal memory-holdings on each of these masters.)
LOUIS KAHN
After Frank Lloyd Wright, my favorite architect is Lois Kahn (1901-1974). His buildings exude a richness of materials and a warm and life-affirming feeling for light as a substance nearly on a par with material. It’s glorious to see and be within a building by Kahn. I’ve visited the one shown. Here’s The Times opening page on Kahn:
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HIERONYMOUS BOSCH
One of my favorites, Bosh’s work is bizarre, it is quirky, it thrills me—especially his “Garden of Earthly Delights.” I’ve been in its presence several times. Here’s The Times opening page on Bosch:
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WALT WHITMAN
My favorite poet is Whitman. Some of his words and lines and poems, such as “Song of Myself,” grab me as do few other creative works. Here’s The Times continued page on Whitman that began on the main section’s front page:
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I must criticize The Times for its faulty choice of that photo of the poet—but Whitman himself bears much blame, as he promoted himself as the “Good, Gray, Poet.” Thus, he’s usually thought of and depicted as a really old guy with a long white beard. When he wrote and published the first edition of his Leaves of Grass in 1855, photos show him as a vigorous young man (about age 36). Even the Matthew Brady portraits of him taken several years after he wrote this “health” article in 1858, show him to have been much younger and more vigorous than The Times image—shame! They probably grabbed both of their printed images from the originator of the story, without the grabber thinking more knowingly. But even The Times isn’t (always) perfect.
Whitman by Brady
during the Civil War (1861-1865)
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