Many well-known people in the media have commented that they are fans of Jean Shepherd and many have been influenced by him. Among them, as we know, are Seinfeld, Bill Griffith (Zippy the Pinhead comic strip), Penn Jillette, Andy Kaufman, etc. Most of us feel that Garrison Keillor has also been influenced by him, although it’s said that he has denied it. However we have some ambiguous pieces of evidence regarding this:
Good to see that Keillor, in public, recognized Shep’s existence on his radio program, “The Writer’s Almanac,” and on its accompanying website–nice to see that Keillor recognized Shep on his birthday.
But in his “Tanglewood’s 2008 Season” appearance, his little ditty printed here contains an ambiguity–or rather, an ironic denial. The ditty suggests that people who remember Allen, Bob and Ray, Benny–and Shepherd, claim he, Keillor, imitates them. And it’s only when those (misguided) old fans are dead will his true value (reputation) be secured. Really?! Not nice–especially in suggesting that fans of those older comics claim an influence (I never heard these claims), thus undercutting Keillor’s much closer resemblance to what Shepherd did.
To repeat from an earlier blog, here’s Shep’s blurb for Keillor on the back of Keillor’s 1981 book, blurbed before Keillor became too big for Shepherd’s itches:
“I welcome Garrison Keillor to the ranks of a very endangered species.
Keillor makes you laugh, and that ain’t easy these days.”
I’d like input as to what ways Keillor may be similar in style to Allen, Bob and Ray, and Benny. And what about to Shep? (Enough to be considered “influenced by.”) Is it just because they both talked, sometimes with a touch of humorous irony, about the old days when life was seemingly simpler–maybe with a sometimes subtle and unacknowledged nostalgia?
“Something supposedly highly cultural, but to the
regular sane person merely pretentious.”
–Artsy Fartsy definition found on the Internet–
Long ago (do some still do it?) on the comics pages some Sunday funnies had a less-important, supplementary strip below (or above). I believe that “Smokey Stover,” that cuckoo strip about firefighters, sometimes had one. Shep’s delight in describing “slob art” (such as his old man’s leg lamp) inspires me to add to the bottom of some of my future Shepherd posts, a few of my quirky commentaries about some art that we have hanging around our house (or, like the “Venus de Milo,” just hanging around my mind)—most of the stuff that, in the main, is in no way slob art, but that for me has some unexpected backstory wandering through my consciousness that may be of some wider amusement–(aren’t life and art strange and wonderful?). I believe that my decades of work at New York’s American Museum of Natural History, and the widespread nature of my interests in the arts has led to some interesting contacts with such matters.
My Artsy Fartsy comments are not intended just to describe the art I like. My intent is to explore the quirky nature of why someone (yours truly, for example) becomes involved with particular creations and in what way they might have an interesting/unusual context that might surprise and delight regarding an encounter with the arts. Sort of like why the unexpected nature of Shepherd’s art of radio sound continues to fascinate me. Ah, yes—I also hope my comments are enlightening and entertaining.
“Artsy-fartsy individuals tend to be unemployed
and enjoy finger-painting.”
SHEP AND MY OBSESSION WITH HIM
AIN’T GOIN’ NOWHERE.